Going Underground by Susan Vaught

Friday, September 21, 2012

Things I was expecting this book to be:

1. On the cover of my copy there is a quote that says "Few will be able to look their cellphone[s] in the screen without a shudder and a 'what if...?'" - BCCB. Which made me incredibly excited, thinking that this would be a book about mobile phones taking over people's brains! Like The X-Files episode Blood (everything is an X-Files episode, and if it's not it will have been a Simpsons episode). I do so love technology controlling us and turning us evil (in fiction!). Unfortunately that is not what this book is about. I would love it if someone did write a book about evil mobile phones, though.

2. The title is 'Going Underground', and considering the amount of musical references in the book I am surprised the Jam song of the same name wasn't mentioned. (I loved the song references, despite the fact that they tended to be a little obscure and may date quickly, though the whole subject matter of the book will date quickly.) I was expecting something more death-centric. Again, mobile phones killing people. As it is, the protagonist just works as a grave digger.

3. The blurb on the back of the book begins: Del's not a bad guy. He's just a misunderstood criminal. (I dislike the word blurb. Blurb, blurb, blurb. It's like how an alien speaks.) The book is structured to jump between the present day and the event three years ago that derailed Del's life, where he became a criminal. It was suspenseful and well-placed, but what the crime actually turned out to be was quite anti-climactic. I was expecting this to be a book that made the reader empathise with a character that was genuinely bad or had done genuinely bad things. But no! The protagonist is likeable, and not a bad person at all. I was expecting something dark and twisted and it wasn't.

What this book actually was about (This is where I get a little bit spoiler-iffic, so look away now if you're planning on reading and want to be surprised. It's very easy to guess, however): sexting*.

Should I have opened with the blurb? Here's the blurb:
Del is a good kid who’s been caught in horrible circumstances. At seventeen, he’s trying to put his life together after an incident in his past that made him a social outcast—and a felon. As a result, he can’t get into college; the only job he can find is digging graves; and when he finally meets a girl he might fall in love with, there’s a sea of complications that threatens to bring the world crashing down around him again. But what has Del done? Basing her story on real-life cases of teens in trouble with the law for texting explicit photos, Susan Vaught has created a moving portrait of an immensely likable character caught in a highly controversial legal scenario.

I think this is suitable for the twelve and up YA readers, as the issue is well-handled. I think as an older reader, the story is less impactful. It would've been more surprising had I read it at twelve or thirteen, and I think the older you become the less you tolerate 'lessons' in books, as subtle as they are. I remember 'sexting' being a shocking thing that was reported on a lot five or six years ago, but I'm not sure whether that's just because that was when it first came to my attention (I was, and remain, really grossed out).

This book does tend towards just being an 'issues' novel, but it's still well-written and full of interesting characters and is genuinely enjoyable. It doesn't demonise any of the characters for their behaviour (except the attorney who prosecutes the kids, who doesn't feature in the book at all, but is mentioned as being fairly nasty), as many discussions regarding sexting do. It's not about how promiscuous/irresponsible/downright awful kids today are - the characters are largely realistic and endearing, and what happens to them occur due to naivety and general unfairness, rather than due to any big moral issue with The Youth of Today. So I liked how the issue was dealt with.

Going Underground balances humourous and serious moments well, is an easy read and I think very accessible for younger readers and both girls and boys.

 *I am not aware of any actual teenager who uses the word sexting. I bet whoever came up with it felt really smart, though.

12-year-old guest reviews! Liar & Spy by Rebecca Stead, Now by Morris Gleitzman & Angel Creek by Sally Rippin

Friday, September 14, 2012

Today, I have a guest reviewer!

My sister Rhiannon is very shortly turning thirteen, which means she will be in my 'target demographic'! I'm going to make her read all of my manuscripts! (She hasn't yet read Girl Saves Boy, because she 'didn't really get into it'. Don't let this dissuade you from reading it, though! We also argued the other day, because she was convinced there was a swearing lawyer in my book... There isn't, but she wouldn't believe me.)

So I thought I would get her to review some books before her birthday, so we can get a twelve-year-old perspective on some MG fiction! Here are some novels she has recently read, and her very thoughtful reviews!

Liar & Spy by Rebecca Stead
"Liar & Spy is about an early teenage boy whose family sells their house and moves into an apartment. Georges is the main character who spends most of his time with his quirky dad watching baseball on the TV and going to DeMarcos pizza restaurant every now and then, and they sometimes go to their favourite Chinese restaurant. His mum is always at work and every day she makes him a message on his desk with Scrabble letters before she leaves. Then Georges meets Safer, another quirky character who likes to watch parrots through binoculars,  walks dogs and is obsessed with spying. He is training Georges to spy on the lobby through the video intercom, always on the look out for Mr X, who lives in Georges' building and who they are suspicious of.  
The character development is really good in this book, you slowly get to know the characters which I think is really good. It is great for pre teens to early teens, it keeps them intrigued and entertained.
The plot is really good. You get caught up in the story and you always want to know what will happen next. A complete page turner.
I give Liar & Spy 5 Stars out of 5."

Now by Morris Gleitzman
"Now is about a girl called Zelda who lives with her grandfather. He is a famous surgeon. It is summer. There is a group of girls at school that bully and chase Zelda home. There's a massive bushfire, and Zelda and her grandfather help people, including the bully and her brother. She finds out her grandfather had a best friend called Zelda as a child, who she was named after. She learns about her grandfather's childhood in the war, and all of the awful things that happened. 
Some bits are graphic, like the grandfather doing surgery. There are some horrible parts. So under tens might find those parts scary. I liked the grandfather. He was my favourite character. The bully's brother was also a nice character.
It was suspenseful, and you wanted to know what happened next. It was pretty exciting and a bit scary. I imagined it as a TV series. Good imagery. 
I give Now 3 Stars out of 5. I would give it more stars if it didn't have gory parts." 

Angel Creek by Sally Rippin
"Angel Creek is about a girl called Angelica, but everyone calls her Jelly. There's a tunnel in a creek at the back of her house. One Christmas holidays, she sees a light inside, and when she crawls in there, she finds an angel. Her two boy cousins are staying with her because her aunt is having another baby. With her cousins, she rescues the angel, worried someone will hurt it. They take it to school with them, and hide it in the shed and bring it water and food every day. 
The angel is described as scared, screaming and trying to scratch them. The attacking scenes can be a bit scary, because Jelly is afraid her cousins will get hurt. The angel is very small at the start, but it keeps growing, like a baby almost growing into a child. Jelly is a good character, she wants to make sure everything will be all right. I liked the scenes where she is sitting in the tree at the back of her house. 
Something very magical happens at the end. Everything about it was quite unique to me. Theme, tone, everything.
I give Angel Creek 5 Stars out of 5."
--

Thank you, Rhiannon! 

Live blogging while editing my book

Wednesday, September 12, 2012

  • Why is my syntax so bad? 
  • Why did I decide to become a writer? 
  • I don't understand what this symbol means. 
  • I don't understand how to use semi-colons, but I'm going to use them anyway! Damn you, correct grammar! 
  • I really don't like these characters. They have so many feelings.
  • Why did I decide to write this book?
  • Everyone who says I'm a good writer is lying to me, I just know it.
  • There are too many exclamation marks.
  • Why did I think that was funny?
  • I'm just confused now.
  • Imagine how terrible the reviews will be.
  • What is this book even about?
  • I really do not like these characters.
  • I should just kill them all off in the end!
  • I already did that. No one liked that draft.
  • Why are there so many pages?
  • How do people who write decent-length books manage to edit them?
  • Is it possible for overthinking to overwhelm my brain and make it shut down?
  • Who invented the em-dash? I don't like them.
  • How do other people manage to write actual good books?
  • There must be a secret.
  • I bet J.K. Rowling made a deal with the devil.
  • Can I make a deal with the devil? I promise to give up the internet in exchange for becoming a literary genius.
  • Didn't work.
  • I've heard the words 'show don't tell' so many times now they've lost all meaning.
  • Will this process never end?
  • There's only like three hundred things left to change. I can do it!
  • I should just take up accountancy.
  • Books are totally overrated anyway.
  • This is probably a coma dream anyway.
  • People are dying of starvation right now and I'm worried about not being a good writer. Shame on me.
  • Once this is finished, I will never even think about this book again. 
  • (Apart from when I have to convince people to read it.)
  • (And apart from the next round of editing.)
  • (Okay, I will have to think about this book again. But it will be painful for me.)
  • This is all Gutenberg's fault. Thanks a lot, Johannes.
(Editing makes me lose all rational thought, clearly.)

From the Failed Novels of my Youth Archive

Monday, September 10, 2012

Because I love all you internet people dearly, and enjoy cringing at the writing of my youth very much, I have dug up for your entertainment the beginning of a novel I wrote in 2008. When I was fourteen. (Only a year before I wrote Girl Saves Boy, but I did a lot of writing in that year. So this is not very good!)

Here we have, in it's original un-edited glory, the start of a weird dystopic sci-fi novel with multiple narrators (one of whom is an escaped government weapon with a very strange name... I so love very strange character names). It is super dramatic! But entertaining in how bad it is. I hope?

It features:
- multiple viewpoints (differentiated by their respective formatting and nothing else!)
- a very vague war-like thing going on!
- a very suspicious underground facility!
- some kind of cyborg character!
- nothing that is fully thought-out!
- a superbly lame title. You'll love it. 

MELODRAMA AND BAD WRITING AHEAD.

The Experimentals


Part One – The Underground
The lights in the hall flickered, the fluorescent light illuminating the cold grey room so it was brighter than day. It was sharp enough to give you a headache, and that was the lighting alone.
Mae’s eyes were dead. The rest of her was alive, only just, but her eyes were dead. I was looking into them and there was nothing there.
She glanced away, as if I’d seen her secrets in those hollow, empty eyes.
Her hair was grey and pulled back in a severe bun, but her face didn’t look any older than forty. Her teeth were slightly yellowed, and there was no happiness left in her smile.
I wondered how long she’d been here. How long it had taken for her eyes to die.
I don’t think she looked like that before.
I brushed my stiff uniform with my hands, trying to iron out non-existent wrinkles. The blue and white striped material simply bounced back in place. It was a formless dress that fell past my knees.
A man brushed past Mae and I in the hall, eyes glued to the clipboard he was holding, barely noticing what surrounded him.
I didn’t get to see his eyes, but I could tell from the way he walked he felt there was little left of value in his life, just as with everyone else.
The skin between Mae’s eyebrows puckered, as if she was thinking. I wished I could reach over and smooth it away, but I knew it would be an entirely odd thing to do and I wanted to make a good impression on Mae-with-the-dead-eyes.
Her forehead relaxed and she plastered a smile to her face, nodding to me, “Shall I show you around?”
I wondered how long it would take for my eyes to die. I’d already lost the ability to genuinely smile.
I nodded crisply back.
“You’ll be handling Ward B Monday, Tuesday, Thursday and Saturday,” the smile on her face slipped a little as we walked, as if it required too much concentration, “Wednesday, Friday and Sunday are your off duty days.”
A headache was already forming at the back of my head, like a fist grasping my hair and tugging it backwards. I longed for natural light, but we were fifteen metres beneath the ground and not going up anytime soon.
“Are we allowed to go upstairs then?” I asked.
Mae appeared a little apprehensive. After a pause, in which we stopped walking and paused outside a door to one of the rooms, she shook her head, and I almost sensed sadness emanating from her, “No. We’ll get to where you’ll be staying later. We all have to stay there when we aren’t on duty. It’s quite nice,” she smiled a little bitterly at this point, “compared to this.”
She glanced away, and I wondered what she was thinking. Maybe she’d lost family too. Or they’d lost her.
Then she refocussed, glancing at me and then towards the door we were stationed outside with a slight nod.
“Are we going in?” I asked.
She shook her head again, “Just look through the window.”
I glanced through the small window high in the door, having to stretch onto my tiptoes to be able to see in.
Inside, a nurse was conducting what appeared to be a physical examination on a naked girl who appeared about twelve. Her eyes were small and darted around uneasily.
She didn’t see me, and I felt vaguely voyeuristic, looking in like that.
I glanced toward Mae with a question in my eyes.
“Cavity search,” she answered simply, “Drugs, weapons, those types of things. After this she’ll have medical examination. Once we made the mistake of doing the med exam before the cavity search and Doctor Shepard ended up with a needle in his arm.” She chuckled slightly, gazing up at the grey tiled ceiling as if she were remembering. Then her eyes flashed to me and she patted me gently on the shoulder, “Don’t look so scared. Dr Shepard survived. And you won’t be doing these. Your job is mostly sedating, feeding, and assisting in showering and activities, you know, basic stuff.”
“Are these people…” I began, “Are they…?”
“The kids and teenagers here are here because we can’t have them out on the streets,” she answered my half spoken question, “Most of them have lost all their relatives and are mentally unstable, some can’t look after themselves or are at risk of hurting others. Our job is to keep them here and keep them alive until this all ends.”
I noticed she couldn’t bring herself to say ‘war’. A year had passed since the whole thing had begun and people were still coming to terms.
I guess it’s easier to ignore if you lived underground.
Suddenly I was torn from my train of thought as a sudden high-pitched scream ripped through the hall, the sound bouncing off the walls with nothing to absorb it.
It was a sharp, almost tortured shriek, and it made me shiver.
Almost in unison, Mae and I both turned our head towards the source of the noise – a girl ten metres down the hall.
She was wearing the ordinary garb of every patient here at Tranquillity, baggy white track pants and t-shirts made of flimsy material with the tranquillity symbol embossed on it as you would have your school emblem on a uniform.
The symbol was a waterfall, a miniature replica of the one in the reception area. As I got further and further into Tranquillity, I discovered more and more how much of a farce this symbol was. Meant to represent what its name suggested, this place was far from tranquil.
The girl was different to other patients I had seen. While the rest were gaunt-faced, with shapeless bodies, lank hair and a ghostly pallor, this girl appeared, dare I say it, healthy.
Her cheeks were flushed pink, her complexion, whilst pale, was of a healthy tone, unlike the other vitamin D deprived youths that filled this building. Her body was a far cry from that of the other patients. She filled out her white t-shirt and pants with curves that were becoming rarer and rarer to see since the fall-out, food shortages and complete power-out. Now that people could no longer microwave their meals and sit in front of the TV all evening, they were at a loss of what to eat and where to get it, not to mention how to avoid getting shot at.
That was part of the reason I came here, only part mind you, so that I would have guaranteed food. I got sick of living on baked beans in my basement.
These thoughts, of her Size 12 figure, bouncy brown curls that fell to her shoulders and shimmered with every movement, and healthy skin tone, came second to my observance of what was going on.
What she did filled me with genuine fear.
She’d exploded out of the door of what I presumed was her room, and a nurse of short stature who I hadn’t yet seen stepped towards her, cooing to calm her but conversely brandishing a needle with the intent of sedating her. The girl flung the back of her hand towards the nurse, striking her face and sending her across the hall. That happens in the course of a few seconds and whilst I stood there dumbly observing the situation (the girl growling madly and looking around like a tetchy dog, the nurse wavering in and out of consciousness, slumped against the opposite wall), Mae sprung into action.
“Ash,” she barked to a taller male nurse, who was coming out of a small office across the way, “Help me. Deanna, help Lola.”
Deanna nodded crisply and walked slowly and precisely towards Lola, not making eye contact with the girl.
The girl cast me a glance, looking directly into my eyes and I noticed hers weren’t dead.
But I wasn’t quite sure whether they were alive.
Then she ran.
But Mae and Ash were already upon her, stabbing her arm with a needle when she was pinned to the ground. She slumped over, falling unconscious.
Mae stood and breathed out heavily. She nodded for Ash and another nurse to take the girl back to her room. They struggled a little. She looked heavy.
Deanna helped Lola to her feet. Mae glanced to me and gestured I come over. I noticed as I walked towards them I was shaking.
I arrived at Mae’s side just as she was beginning to lecture Lola.
“That’s not to happen again, Lola,” she said, her voice blunt. She pursed her lips and stared Lola down.
“It won’t,” Lola shook her head vehemently. I observed she was still shaking a little.
“Take her back to her room, Deanna, after she gets checked out by Doctor Cherry,” sighed Mae, then turning to Lola, “Lola, I’m going to move you down to Ward D for a few days. I’ll speak with Yolanda first, but head down there tomorrow morning.”
Lola nodded again and Deanna helped her away. Lola was shaking violently.
I stared after them, before turning back to Mae, “Who was that girl?” I asked.
She knew who I was talking about. “Emo Nightfire,” she sighed, glancing at the door she’d disappeared back through as Ash and the other nurse came out, and returned to what they were doing before.
“That’s a weird name,” I observed.
Without looking at me, Mae said, “She’s a weird girl.”

The nurse placed my tray on the side table and after brushing her hair out of her eyes and behind her ears; she wound them together behind her back.
She was a different nurse, probably new judging by the light left in her eyes. She was small, but probably a reasonable height for her age, which didn’t appear to be much older than me. Her hair was dark blonde, and cut just below her ears. It was longer on the left side, and I liked that.
What I liked most about her was the way she didn’t sneer down at me, her upper lip twitching back in disgust, eyes squinting along her nose, which crinkled as if she’d smelt a bad stench emanating from my soul.
No. She smiled courteously, and I could see she was probably here for the same reason I was, but under different circumstances. It makes a difference what side you’re on outside, because it’s the same in here.
But I’m never really sure who’s good and who’s bad, and in my spare time (which is quite a lot of it) I like to think it through, but never really get any closer to an answer.
I like to think I’m not bad, but the way they’re keeping me locked up like this, I sometimes doubt it.
“Hello,” I smiled, and propped myself up on my bed. I had a small room, barely two metres long and three metres wide, but that meant I got it to myself. I used to be in with a boy called Liam when I was under suicide watch, but that got tiring pretty quick, waiting to see whether he’d strangled himself every time I got back from dining hall or showering or the awful evening activities they make us do.
“Good evening,” she replied. I offered my hand for her to shake and it remained behind her back, not in unwillingness to shake my hand, but merely out of being unsure.
“You’re allowed to touch me,” I replied, smiling slightly as I swung my legs over the side of my bed, “If you weren’t they’d have a glass wall in here. Those rooms are actually cushier, come to think of it.”
The edges of her lips rose vaguely in an uncertain smile before grasping my hand and shaking it.
“I’m Alex,” I said. She let go of my hand (her fingers were soft) and dropped it back to her side, where it swung aimlessly.
She stood silently as I picked up my small cup of pills (a rainbow cocktail of drugs I didn’t really need, but it was better than needles) and said, “Cheers,” tipping them back and swallowing in one gulp.
“You’re allowed to tell me your name…” I paused and glanced at her ID tag, “Storm.” I chuckled.
“That’s me,” she smiled again, but her uncertainty still held her back from smiling genuinely. Then again, she might have already lost that. Her smile, displaced, missing, never to resurface again like that bomber jacket I had which never showed up in the lost and found. She shuffled backwards, and I felt vaguely sad at the thought of her leaving. It was nice to have someone in my room apart from me.
She wasn’t leaving, instead perching herself on the edge of the stiff chair in the corner of my room, painted an undulating white to match my bed and side table. The floor was a dull grey carpet, a shade darker than the cool concrete walls.
I tore the weak plastic cover from my plastic knife and fork with my teeth -yet another preventative measure to stop us hurting ourselves or someone else.
I know people in here who could easily kill someone with a plastic fork, but they keep her under such heavy sedation she can never do much damage.
“Am I under suicide watch again?” I asked through a mouthful of mush. I believed it was a mix of potatoes, water and protein powder. It wasn’t much to taste, but not eating it is worse, especially if someone notices.
Storm’s eyes appeared alarmed, and she glanced down at the clipboard she held. She shook her head, “Just says to watch you eat and check you room for sharp objects… Doctor’s check-up next week…”
I laughed again, and she glanced up at me, eyes confused. I scooped up another mouthful of mush and pointed my knife at her, “You aren’t meant to tell me what that says.”
“Oh,” she said, and her eyes downcast.
I swallowed, “It’s okay,” I smiled, “I won’t tell anyone.” I made a motion of zipping my lips.
She almost laughed, but she caught herself before a noise came out of her mouth. Instead, she asked, “Why are you in here?”
“I’m sorry?” I knitted my brows together in puzzlement.
“Did you kill someone?” she asked, and her eyes were honest. She really meant what she was asking. I noticed she leant towards me and I liked that.
“Do you know how many people are in this ward, Storm?” I asked.
“Fifty?” she asked back, not sure where this is going.
“About,” I answered, waving my spork to illustrate, “In the entire ward there are around sixty people. This is one of the smaller wards. If you put every patient in this facility together, you’d have about five hundred kids.”
“Really?” she asked, using her words genuinely, rather than as sound filler.
I nodded, before going on, “I’d say only about three of those have killed someone, and I’m not one of them.”
She digested this and then asked, “Why are you here then, if you haven’t done anything wrong?”
“Why are you here?” I asked back immediately, almost as a reflex.
She fell silent, and I answered for the both of us.
“This is a war, Storm,” I said, quietly, “We’re both prisoners. Wars kind of obliterate reasons for things.”
She glanced up, and I could see tears welling in her eyes that she refused to let spill over and I wondered why they were there.
“Goodbye Alex,” she smiled, crisp, courteous demeanour returning as she stooped to pick up my empty tray.
“Call me A.J.,” I answered.
She left my room, the door locking automatically behind her.
I liked Storm. Maybe if this whole thing hadn’t have happened, I wouldn’t be three stories beneath the ground in a mental hospital that refuses to be called that, and would instead be at high school. If I met Storm there, I might have even dared to have a crush on her, with her lopsided blonde bob and eyes with light in them, still.
I fell into a drug-induced sleep.

My prison break wasn’t as successful as I’d hoped. Of course it would fail, I lamented myself later, you were still half sedated.
If I wasn’t half sedated Lola would probably be dead, instead demoted to Ward D. Ward D wasn’t so bad, I suppose. They were going to keep me down there, until I jabbed Doctor Shepard. Damn, they got mad. They should’ve been happy. I could’ve killed him. I wasn’t sedated then. But I didn’t. I like Doc Shepard. He’s very good-humoured, even after you make a weak attempt on his life.
My room isn’t like most of the others. For a start, there’s a one-sided window against one of the walls. Windows don’t belong in this building. We are underground after all. My door doesn’t have the standard window in it, because they’re afraid I’ll break it.
It isn’t as if they tell me these things. I can hear them on the other side of the window sometimes. A normal person wouldn’t be able to, but I can.
If we were above ground, I’d be able to bust a window and get out. Here, there’s nowhere to go. This building is effectively a giant coffin with air-conditioning.
It isn’t just the constant sedation and crappy food that gets to me. There’s so little space in here. I long to be able to have command of my senses, be outside, and leap and jump and scream all I like. I want freedom, and I’m choking in this hole in the ground.
There’s nothing to do here. Breathe and eat. I don’t need to sleep, and I can’t. It’s a marker of what I am. A hybrid of human and something else. Something better. Something with power and without weakness.
A victim of people playing god.
You know what, you could even say I was the messiah - if there weren’t more people like me. 

--

END SCENE.
Please comment with tales of failed novels from your youth / melodramatic stories you wrote! (I would love an excerpt. That would make my day.)

Things to worry about

Saturday, September 8, 2012

  1. What if I'm an alien replica and the original human Steph Bowe is in an underground facility far away being experimented upon by evil forces?
  2. What if I am actually not a decent writer at all, and all of my success so far is an elaborate hoax being coordinated by my family, who are secretly evil/alien replicas?
  3. What if, while I sleep, I have an evil alternate personality who wakes up and wreaks havoc?
  4. What if every dream I have is actually occurring in an alternate reality?
  5. What if my dreams are actually occurring to people in this reality?
  6. What if I'm already dead and this is just purgatory?
  7. What if there is no such thing as death and it's all just an elaborate hoax created by the elderly because they're sick of us and want to move to a distant island and drink all the time?
  8. What if this entire world is something I have constructed in my mind, and I'm in a coma in another reality?
  9. What if this entire reality is someone else's dream and I've been sucked into it?
  10. What if this entire reality is someone else's dream and I'm just a figment of their imagination?
  11. What if I am a very authentic, advanced, fleshy robot, and at some point something will be activated in my robot-brain to make me assassinate someone?
  12. What if television is actually aliens controlling our minds?
  13. What if all the trillions of bacteria living in my body are tiny aliens, gathering information about the human body and sending messages home?
  14. What if aliens are cataloguing us via Facebook and waiting descend and cull everyone who writes inane blog posts?
  15. What if we've all steadily been replaced by alien replicas, and now there are no humans left but we don't even know it?
  16. What if, every time I write a story, those people actually come into existence in another reality? Oh my god, all the poor people I've killed to give other characters depth!
  17. What if our entire world is the creation of a really terrible writer? Whose world, in turn, is the creation of an even worse writer? What if there are just endless loops of people living in worlds writing stories about people living in other worlds and so on?
  18. What if nothing magical or extra-terrestrial exists and everything is real and God and the afterlife are not and this is it?
  19. What if I really am entitled to the millions of dollars Nigerian bankers offer me via email daily?
  20. Do I watch too much television?

7 Things I don't like about ebooks

Thursday, September 6, 2012

To be fair, I do quite like ebooks. I think they can peacefully coexist with real books. The stories are the most important part. Format doesn't matter much at all. Ereaders are compact, convenient, marvellous contraptions. (Perhaps I will write about my thoughts further in a later post.) But! There are some things about ebooks that I don't particularly like. On the inside, I am an elderly person, deeply suspicious of all new technology. And physical books, while sometimes bulky and inconvenient, are pretty and nice to hold. And they might give you a papercut, which adds a touch of danger and suspense. I mean, what an experience! These are the things that make ebooks untrustworthy:
  1. You can't properly lend them to people. Lending books to people is at least in my top ten favourite book-related activities. Emailing someone a file or beaming it over the cloud or whatever it is the kids are doing these days is just not the same.
  2. They don't smell good. Are they manufacturing Kindles with synthetic 'old book smell' yet? They should. They should have multiple buttons you can press for various scents (new book smell, old book smell... okay, that's it).
  3. You can't get them signed by authors. I suppose you could get your ereader signed, but you could only fit a couple of signatures.
  4. You can't read them in the bath. Maybe you can. I don't know. I would be terrified of dropping the ereader, and dying. How stupid would you seem if that was put in the paper? Think of the puns they might use. 'Dead-keen Reader, 18, Electrocuted in bath by dropping Kindle'. Oh, the shame. Of course, you're dead! You don't mind.
  5. You can't tell which books are your favourite ones. There is something very nice about a well-thumbed book. If you really, really love a book, you have to get it in hard copy, so you can keep it under your pillow and lend it to people and carry it around in your bag in case you find yourself in a situation wherein you must quote from it. And then it gets properly battered and you can tell it's an important book. You can't do that with an ereader.
  6. Other people can't tell what you're reading. I suppose this may be a good thing, for instance if you are reading Fifty Shades of Grey or Twilight. But it's such fun to judge other people based on what book they are reading on public transport! Don't take all the enjoyment out of my life, guys.
  7. You can't write in the margins, can't fold down the corners, can't take to it with a highlighter. I am sure there are fake highlighter functions on ereaders, fake being the operative word! Authenticity, guys! That's what it's all about. Maybe if you don't enjoy wrecking your books, you will not be missing out on much. But wrecking your books means you love them! If they sit, pristine, on a shelf their entire lives, they're going to feel unloved. Haven't you seen Toy Story? It's the exact same with books. They come alive and dance around and chat with each other when you leave the room. This is a fact.
Do you own an ereader? What do you like/not like about ebooks?

This is what I think of Fifty Shades Of Grey

Tuesday, September 4, 2012

I wasn't going to talk about Fifty Shades of Grey, because this is a blog about books for teenagers (mostly), and I write and read books for teenagers, and also I am very, very tired of conversations about Fifty Shades of Grey. However! People have been asking what I think of it. Frequently. Including a twelve-year-old in a school session a couple of weeks ago. Which was strange. And I have met lots of teenage girls who are reading it. So! Teenagers are reading/thinking about this new publishing phenomenon (get ready for me to use that word a lot in this post). And hey, I think everyone should be allowed to read what they choose! But why read this?

To start with, I have not read Fifty Shades of Grey. (I am desperately uninformed, forgive me.) Recently I was in Big W purchasing a $10 cardigan, and having an ethical breakdown because said cardigan was likely constructed by a ten-year-old in a sweat shop earning three cents an hour. (I still bought it, but every time I wear it I mentally apologise to this fictional kid in my head. The cardigan is terrible, anyway, fabric is totally not breathable.) There are displays of all three books in the Fifty Shades series throughout Big W. And also in Myer and David Jones and Kmart and Target and every single book shop in the entire country. You can never escape it. Whenever I go into a shopping centre (this is the Gold Coast, the place is 90% shopping centre, so this is frequently), there's Fifty Shades of Grey looming threateningly, staring at me from one of those rotating book racks.

I'm not jealous. That's one of the first things I feel I need to say. I think if a writer criticises a more successful writer too frequently they're just accused of being jealous and that's not always true. I don't really want to be preposterously rich and successful. I want to write nice books, that comfort and entertain people, and earning a decent amount of money would be nice. (If I wrote a book full of sex scenes I would be embarrassed, though. I feel embarrassed if I read a book full of sex scenes. Luckily there are not a lot of these in YA. Yes, I am a twelve-year-old.) I don't particularly wish to be the next Stephenie Meyer, because I know that wouldn't bring me much joy. The level of criticism would probably drive me to insanity. So good on E.L. James and her runaway success - I don't want to be in her position, though.

So! I am in Big W. I pick up a copy of this book. I open it. I read a sentence.

Then I'm permanently and irrevocably mentally scarred because of 1) the worst dialogue ever written and 2) the weirdness of out-of-context lines in sex scenes. (Even in context, it was weird. There are lots of very entertaining, very involved critical reviews of this book on the internet. If you have not read any yet, go Goodreads it up. See how I turned that into a verb? You're welcome, Goodreads.)

It should be said that these are not my sort of book. But I can recognise good writing. (That sounds ridiculously arrogant, but I think most readers can.) And from what I tried to read of Fifty Shades, there wasn't much of that.

This is what I don't like: from everything I have read and seen and heard about the Fifty Shades series, it is poorly written. Not a lot happens. The central romantic relationship is disturbing and emotionally abusive and unbalanced, and it's still framed as romantic. That worries me a lot. I really hate the saturation of books for teenagers with these sort of disturbing romantic relationships (usually the love interest is a vampire or werewolf or fallen angel or something, though, which somehow makes it more acceptable? But the guy in this book is pretty much Patrick Bateman out of American Psycho, and supposedly human). 

But, Steph, this is a book for grown-ups! you say. Grown-ups can read poorly-written disturbing romance novels to their heart's content!

A lot of people are reading this book, folks. Including lots of teenage girls. Lots of the people reading this book think the creepy, abusive love interest is super romantic! That worries me! I tried to read it from the start but it began causing me physical pain. Why can't the books that become phenomenons feature, you know, strong female protagonists? Hey? I don't even care that much about crap writing, just less disturbing passivity of lady-characters, especially if it's all about *female empowerment*. I would prefer fifteen Da Vinci Codes to this!

Also, it started life as Twilight fan fiction. And it makes Twilight look not quite as morally repugnant.

Also, there are so many good and excellent and brilliant and wonderful and intelligent and non-disturbing YA titles with romantic plotlines out there, so if you are a teenage girl, why are you reading this book?

I don't have a problem with sexy books, or teenagers reading them. I do not think exposure directly relates to corruption. I am sure there are many wonderful erotica novels out there, I don't care to read any of them, but good for you if you want to! I am not sure this book is one of them. Also there's an abundant amount of fan fiction you can read on the internet for free. They kill trees to publish this stuff, you guys!

Also, E.L. James, I'm sorry if I hurt your feelings. But I really think you should try coming up with your own characters and also not presenting abusive relationships as ~romantic~.

And why is it so popular? It's easy to read. It's escapism. Once something reaches a certain level of popularity, everyone else will read it just so they can converse with people about it. Top conversational topics in the world today: 1. the weather, 2. Fifty Shades of Grey, 3. how busy we all are. It's a way to bond. It's the same as every other book that becomes massively popular. You just have to get non-readers to read it! Which is obviously super simple and why writers can easily become massive phenomenon on demand (the publishers totally have a formula for this stuff. They know how to make something a bestseller, and they're just keeping the information secret. I just know it).

Also, publishing? It's about making money. I tire of hearing that people have lost faith in the publishing industry over this. Folks. They're not benevolent fairy godmothers who are trying to shape the world for the better. We've got this thing called capitalism now. Editors have to make a living too.

No one is to ever ask me what I think of the Fifty Shades of Grey phenomenon ever again.

Has anyone reading this blog read Fifty Shades of Grey? Why did you read it? What did you think?

To quote Fifty Shades of Grey: laters, baby. (Literally that line is in the book. I know. I don't want to live on this planet anymore either,)
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